Nexstage Coaching Performing Quick Tips
Vol. 1 No. 3 October 25, 2012

Eekwol: Making Friends

Eekwol is a natural at interacting with her audience. But what are we talking about when we say “interacting”? It can mean a lot of things, and different artists achieve it in different ways.

In the case of Eekwol, she did the following throughout her half-hour show:
- nice eye contact
- asked questions of the audience
- occasionaly invited hand movements, call and response participation, singing
- encouraged small kids to dance
- invited a boy up to dance on stage and gave him a CD
- invited interactions in a non-threatening, laid back way
- performed in a compelling way that drew you to her

In other words, she “made friends” with her audience. We were in a tent on a sunny afternoon. Eekwol was very much in tune with the moment and the type of event, which was a festival celebrating writing and publishing. Her content was “deep” but she didn’t take herself too seriously, given the occasion. If it had been an event focussed on, say, residential school issues, she might have presented the same songs differently.

My hunch is that Eekwol figured out a lot of what she’s doing just by doing it. But it’s possible for a green performer to speed up the process of getting comfortable with audience interaction by being more methodical and deliberate about it. Analyze your set list. Find the places where you can introduce banter between yourself and the audience. Ask yourself questions like: Do your songs lend themselves to call and response singing? Is there a question or two you can throw at the audience for a general response? etc.

Think about possible venues where audience interaction will be easier. Get yourself booked there or organize your own event, just to get the practise.

Quick Tips can sometimes only scratch the surface on these kinds of topics, but if this is an area you need to spend more time on, see the resources under “Related Stuff.”

Over to You
Try this exercise:
1) Go to a live show of someone you admire in the kind of venue you want to play.
2) Take a pen and paper.
3) Every time the performer has an exchange with the audience, musical or verbal, make notes. What did he/she do to warrant the audience’s attention? How did they do it?
4) Go home.
5) Pull out your set list and see where you might apply some of the exact same techniques in your own show.
6) Pick two or three that you’d be most comfortable with at this stage of your development and begin working with them. See what happens.
7) Gradually add new ones. See what happens.

Let’s Talk
A subscriber writes: We have a new young fellow as our choir director – he is so much fun. At one point he told us (the youngest is in her 40s – most are over 60) that we should sing like we are happy and pretend to raise a glass of wine in our hand….and wow, our heads come up with our hands and we smile!          Eva Stanley

Please send me your performing tips!

Related Stuff
Interaction: a To Do List
Performance Polishing

Finale
Never treat your audience as customers, always as partners.

James Stewart
(actor c.1908-1997)

If you give an audience a chance they will do half your acting for you.

William Hazlatt
(writer c.1778-1830)

My play was a complete success. The audience was a failure.

Ashleigh Brilliant
(writer b. 1933)

SaskMusic Signs On!
Performing Quick Tips is now available through their e-release and select Tips will be published in The Session. If you know of a music industry association that may be interested in sending PQT to its members, please let me know.

With Thanks
to my good friend Pat Katz, Productivity and Balance Strategist, whose Pause Newsletter inspired the design of Quick Tips.

 

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